In shortBhaja Govindam, also called the Moha Mudgara, is a thirty-one-verse Sanskrit poem traditionally attributed to Adi Shankara. It urges the reader to turn to Govinda and to self-knowledge before time runs out.

Bhaja Govindam (“worship Govinda”), also called the Moha Mudgara (“the hammer for delusion”) and the Charpata Panjarika in other recensions, is one of the best-known short Sanskrit poems of the Advaita tradition. In thirty-one verses a teacher speaks to a person who is caught up in earning, family, youth and the fear of death, and asks the person to turn to Govinda, to good company and to self-knowledge before it is too late. Each verse is short and plain, which is why it has been learned by heart by children and adults for centuries.

Tradition attributes the poem to Adi Shankara, placed in the eighth century. A popular story, found in the later verses of the long modern version, says that Shankara saw an old grammarian in Varanasi repeating a rule from Panini’s list of verbal roots (dukrin karane, which the first verse mentions) and sang the poem to turn him to devotion. The story is not in the 1910 and 1952 editions we read, and the attribution of the whole poem to Shankara is traditional and not certain: some teachers say that only the first twelve verses are his and that the rest were added by his pupils.

Because a number of different versions are in circulation, this page says exactly which one it gives: the thirty-one verses of the Moha Mudgara as printed in 1910 (Vani Vilas Press, Srirangam), compared with a second 1910 print and with the edition of H. R. Bhagavat (Poona, 1952). The page also notes where the old printed collections give a different, shorter text. For another well-known Shankara text on the Self, see the Nirvana Shatakam.

The text, transliteration and meaning

Verse 1

भज गोविन्दं भज गोविन्दं ।
भज गोविन्दं मूढमते ।
सम्प्राप्ते सन्निहिते काले ।
न हि न हि रक्षति डुकृञ्करणे ॥

Bhaja govindam bhaja govindam
Bhaja govindam mudhamate
Samprapte sannihite kale
Na hi na hi rakshati dukrinkarane

MeaningWorship Govinda, worship Govinda, worship Govinda, foolish mind. When the appointed time draws near, the grammar rule 'dukrin karane' (a root from the grammarian's list) will not protect you at all.

Verse 2

मूढ जहीहि धनागमतृष्णां ।
कुरु सद्बुद्धिं मनसि वितृष्णाम् ।
यल्लभसे निजकर्मोपात्तं ।
वित्तं तेन विनोदय चित्तम् ॥

Mudha jahihi dhanagamatrishnam
Kuru sadbuddhim manasi vitrishnam
Yallabhase nijakarmopattam
Vittam tena vinodaya chittam

MeaningFoolish one, give up the thirst for gathering wealth. Turn your mind to good sense and free it from craving. Be content with whatever wealth your own actions bring.

Verse 3

नारीस्तनभरनाभीदेशं ।
दृष्ट्वा मा गा मोहावेशम् ।
एतन्मांसवसादिविकारं ।
मनसि विचिन्तय वारं वारम् ॥

Naristanabharanabhidesham
Drishtva ma ga mohavesham
Etanmamsavasadivikaram
Manasi vichintaya varam varam

MeaningDo not fall into the delusion of desire when you see the curves of a woman's body. Think again and again that it is only a changing form of flesh and fat. (The verse speaks to a renunciant's view of desire; see the note below.)

Verse 4

नलिनीदलगतजलमतितरलं ।
तद्वज्जीवितमतिशयचपलम् ।
विद्धि व्याध्यभिमानग्रस्तं ।
लोकं शोकहतं च समस्तम् ॥

Nalinidalagatajalamatitaralam
Tadvajjivitamatishayachapalam
Viddhi vyadhyabhimanagrastam
Lokam shokahatam cha samastam

MeaningLife is as unsteady as a drop of water on a lotus leaf. Know that the whole world is struck by illness and pride and beaten down by sorrow.

Verse 5

यावद्वित्तोपार्जनसक्त- ।
स्तावन्निजपरिवारो रक्तः ।
पश्चाज्जीवति जर्जरदेहे ।
वार्तां कोऽपि न पृच्छति गेहे ॥

Yavadvittoparjanasakta-
Stavannijaparivaro raktah
Pashchajjivati jarjaradehe
Vartam ko'pi na prichchhati gehe

MeaningAs long as you can earn, your family is attached to you. Afterwards, when you live on in a worn-out body, no one at home even asks after you.

Verse 6

यावत्पवनो निवसति देहे ।
तावत्पृच्छति कुशलं गेहे ।
गतवति वायौ देहापाये ।
भार्या बिभ्यति तस्मिन्काये ॥

Yavatpavano nivasati dehe
Tavatprichchhati kushalam gehe
Gatavati vayau dehapaye
Bharya bibhyati tasminkaye

MeaningWhile the breath stays in the body, they ask at home how you are. When the breath has gone and the body has fallen, even your wife is afraid of that body.

Verse 7

बालस्तावत्क्रीडासक्त- ।
स्तरुणस्तावत्तरुणीसक्तः ।
वृद्धस्तावच्चिन्तासक्तः ।
परे ब्रह्मणि कोऽपि न सक्तः ॥

Balastavatkridasakta-
Starunastavattarunisaktah
Vriddhastavachchintasaktah
Pare brahmani ko'pi na saktah

MeaningA boy is absorbed in play, a young man in young women, an old man in worry. No one is absorbed in the Supreme Brahman.

Verse 8

का ते कान्ता कस्ते पुत्रः ।
संसारोऽयमतीव विचित्रः ।
कस्य त्वं कः कुत आयात- ।
स्तत्त्वं चिन्तय यदिदं भ्रातः ॥

Ka te kanta kaste putrah
Samsaro'yamativa vichitrah
Kasya tvam kah kuta ayata-
Stattvam chintaya yadidam bhratah

MeaningWho is your wife, who is your son? This world is very strange. Whose are you, who are you, where have you come from? Think about that truth, brother.

Verse 9

सत्सङ्गत्वे निःसङ्गत्वं ।
निःसङ्गत्वे निर्मोहत्वम् ।
निर्मोहत्वे निश्चलितत्वं ।
निश्चलितत्वे जीवन्मुक्तिः ॥

Satsangatve nihsangatvam
Nihsangatve nirmohatvam
Nirmohatve nishchalitatvam
Nishchalitatve jivanmuktih

MeaningFrom the company of good people comes freedom from attachment, from that freedom from delusion, from that a steady mind, and from that liberation while still alive.

Verse 10

वयसि गते कः कामविकारः ।
शुष्के नीरे कः कासारः ।
क्षीणे वित्ते कः परिवारो ।
ज्ञाते तत्त्वे कः संसारः ॥

Vayasi gate kah kamavikarah
Shushke nire kah kasarah
Kshine vitte kah parivaro
Jnate tattve kah samsarah

MeaningWhen youth is gone, what is passion? When the water is dry, what is a lake? When wealth is gone, what is a household? When the truth is known, what is the cycle of worldly life?

Verse 11

मा कुरु धनजनयौवनगर्वं ।
हरति निमेषात्कालः सर्वम् ।
मायामयमिदमखिलं हित्वा ।
ब्रह्मपदं त्वं प्रविश विदित्वा ॥

Ma kuru dhanajanayauvanagarvam
Harati nimeshatkalah sarvam
Mayamayamidamakhilam hitva
Brahmapadam tvam pravisha viditva

MeaningTake no pride in wealth, followers or youth: Time takes all of it in a moment. Leave all this, which is made of illusion, and having understood it enter the state of Brahman.

Verse 12

दिनयामिन्यौ सायं प्रातः ।
शिशिरवसन्तौ पुनरायातः ।
कालः क्रीडति गच्छत्यायु- ।
स्तदपि न मुञ्चत्याशावायुः ॥

Dinayaminyau sayam pratah
Shishiravasantau punarayatah
Kalah kridati gachchhatyayu-
Stadapi na munchatyashavayuh

MeaningDay and night, dusk and dawn, winter and spring come round again and again. Time plays on and life goes by, yet the wind of hope never lets go.

Verse 13

का ते कान्ताधनगतचिन्ता ।
वातुल किं तव नास्ति नियन्ता ।
त्रिजगति सज्जनसङ्गतिरेका ।
भवति भवार्णवतरणे नौका ॥

Ka te kantadhanagatachinta
Vatula kim tava nasti niyanta
Trijagati sajjanasangatireka
Bhavati bhavarnavatarane nauka

MeaningWhy do you worry about wife and wealth, mad one? Is there no one who rules you? In the three worlds, only the company of good people becomes a boat to cross the ocean of rebirth.

Verse 14

जटिलो मुण्डी लुञ्छितकेशः ।
काषायाम्बरबहुकृतवेषः ।
पश्यन्नपि च न पश्यति मूढो ।
ह्युदरनिमित्तं बहुकृतवेषः ॥

Jatilo mundi lunchhitakeshah
Kashayambarabahukritaveshah
Pashyannapi cha na pashyati mudho
Hyudaranimittam bahukritaveshah

MeaningMatted hair, a shaved head, hair plucked out, saffron robes: many are the disguises. The fool looks and does not see; all these disguises are for the sake of the belly.

Verse 15

अङ्गं गलितं पलितं मुण्डं ।
दशनविहीनं जातं तुण्डम् ।
वृद्धो याति गृहीत्वा दण्डं ।
तदपि न मुञ्चत्याशापिण्डम् ॥

Angam galitam palitam mundam
Dashanavihinam jatam tundam
Vriddho yati grihitva dandam
Tadapi na munchatyashapindam

MeaningThe limbs are worn, the head is grey, the mouth has no teeth. The old man goes along leaning on a staff, and still he does not let go of the lump of hope.

Verse 16

अग्रे वह्निः पृष्ठे भानू ।
रात्रौ चुबुकसमर्पितजानुः ।
करतलभिक्षस्तरुतलवास- ।
स्तदपि न मुञ्चत्याशापाशः ॥

Agre vahnih prishthe bhanu
Ratrau chubukasamarpitajanuh
Karatalabhikshastarutalavasa-
Stadapi na munchatyashapashah

MeaningFire in front, the sun behind; at night the knees drawn up to the chin; alms taken in the palm, the foot of a tree for a home. Even so he does not let go of the noose of hope.

Verse 17

कुरुते गङ्गासागरगमनं ।
व्रतपरिपालनमथवा दानम् ।
ज्ञानविहीनः सर्वमतेन ।
मुक्तिं न भजति जन्मशतेन ॥

Kurute gangasagaragamanam
Vrataparipalanamathava danam
Jnanavihinah sarvamatena
Muktim na bhajati janmashatena

MeaningOne may travel to Gangasagar, keep vows, or give gifts. Without knowledge, by any school's reckoning, there is no liberation even in a hundred births.

Verse 18

सुरमन्दिरतरुमूलनिवासः ।
शय्या भूतलमजिनं वासः ।
सर्वपरिग्रहभोगत्यागः ।
कस्य सुखं न करोति विरागः ॥

Suramandiratarumulanivasah
Shayya bhutalamajinam vasah
Sarvaparigrahabhogatyagah
Kasya sukham na karoti viragah

MeaningTo live in a temple or under a tree, with the ground for a bed and a skin for clothing, giving up every possession and pleasure: whom would such renunciation not make happy?

Verse 19

योगरतो वा भोगरतो वा ।
सङ्गरतो वा सङ्गविहीनः ।
यस्य ब्रह्मणि रमते चित्तं ।
नन्दति नन्दति नन्दत्येव ॥

Yogarato va bhogarato va
Sangarato va sangavihinah
Yasya brahmani ramate chittam
Nandati nandati nandatyeva

MeaningOne may delight in yoga or in pleasure, in company or in solitude. But the one whose mind delights in Brahman delights, delights, delights indeed.

Verse 20

भगवद्गीता किञ्चिदधीता ।
गङ्गाजललवकणिका पीता ।
सकृदपि येन मुरारिसमर्चा ।
क्रियते तस्य यमेन न चर्चा ॥

Bhagavadgita kinchidadhita
Gangajalalavakanika pita
Sakridapi yena murarisamarcha
Kriyate tasya yamena na charcha

MeaningOne who has read a little of the Gita, drunk a drop of Ganga water, or worshipped Murari even once: Yama has no quarrel with that person.

Verse 21

पुनरपि जननं पुनरपि मरणं ।
पुनरपि जननीजठरे शयनम् ।
इह संसारे बहुदुस्तारे ।
कृपयापारे पाहि मुरारे ॥

Punarapi jananam punarapi maranam
Punarapi jananijathare shayanam
Iha samsare bahudustare
Kripayapare pahi murare

MeaningAgain birth, again death, again lying in a mother's womb. This world is very hard to cross. Protect me, O Murari, in your boundless compassion.

Verse 22

रथ्याकर्पटविरचितकन्थः ।
पुण्यापुण्यविवर्जितपन्थः ।
योगी योगनियोजितचित्तो ।
रमते बालोन्मत्तवदेव ॥

Rathyakarpatavirachitakanthah
Punyapunyavivarjitapanthah
Yogi yoganiyojitachitto
Ramate balonmattavadeva

MeaningIn a garment patched from rags found on the road, on a path beyond merit and sin, the yogi whose mind is joined to yoga lives like a child or a madman.

Verse 23

कस्त्वं कोऽहं कुत आयातः ।
का मे जननी को मे तातः ।
इति परिभावय सर्वमसारं ।
विश्वं त्यक्त्वा स्वप्नविचारम् ॥

Kastvam ko'ham kuta ayatah
Ka me janani ko me tatah
Iti paribhavaya sarvamasaram
Vishvam tyaktva svapnavicharam

MeaningWho are you, who am I, where have I come from? Who is my mother, who is my father? Think of all this as without essence, and leave the world as one leaves a dream.

Verse 24

त्वयि मयि चान्यत्रैको विष्णु- ।
र्व्यर्थं कुप्यसि मय्यसहिष्णुः ।
सर्वस्मिन्नपि पश्यात्मानं ।
सर्वत्रोत्सृज भेदाज्ञानम् ॥

Tvayi mayi chanyatraiko vishnu-
Rvyartham kupyasi mayyasahishnuh
Sarvasminnapi pashyatmanam
Sarvatrotsrija bhedajnanam

MeaningThe same Vishnu is in you, in me and everywhere else; you are angry with me in vain, and impatient. See the Self in all beings, and give up everywhere the ignorance of difference.

Verse 25

शत्रौ मित्रे पुत्रे बन्धौ ।
मा कुरु यत्नं विग्रहसन्धौ ।
भव समचित्तः सर्वत्र त्वं ।
वाञ्छस्यचिराद्यदि विष्णुत्वम् ॥

Shatrau mitre putre bandhau
Ma kuru yatnam vigrahasandhau
Bhava samachittah sarvatra tvam
Vanchhasyachiradyadi vishnutvam

MeaningDo not strive for war or peace with enemy, friend, son or kinsman. Be even-minded everywhere, if you wish soon to reach the state of Vishnu.

Verse 26

कामं क्रोधं लोभं मोहं ।
त्यक्त्वात्मानं भावय कोऽहम् ।
आत्मज्ञानविहीना मूढा- ।
स्ते पच्यन्ते नरकनिगूढाः ॥

Kamam krodham lobham moham
Tyaktvatmanam bhavaya ko'ham
Atmajnanavihina mudha-
Ste pachyante narakanigudhah

MeaningGive up desire, anger, greed and delusion, and ask yourself, 'Who am I?' Fools without knowledge of the Self are cooked in hell, hidden from view.

Verse 27

गेयं गीतानामसहस्रं ।
ध्येयं श्रीपतिरूपमजस्रम् ।
नेयं सज्जनसङ्गे चित्तं ।
देयं दीनजनाय च वित्तम् ॥

Geyam gitanamasahasram
Dhyeyam shripatirupamajasram
Neyam sajjanasange chittam
Deyam dinajanaya cha vittam

MeaningThe Gita and the thousand names are to be sung, the form of Shripati (Vishnu) is to be meditated on always, the mind is to be led to the company of good people, and wealth is to be given to the poor.

Verse 28

सुखतः क्रियते रामाभोगः ।
पश्चाद्धन्त शरीरे रोगः ।
यद्यपि लोके मरणं शरणं ।
तदपि न मुञ्चति पापाचरणम् ॥

Sukhatah kriyate ramabhogah
Pashchaddhanta sharire rogah
Yadyapi loke maranam sharanam
Tadapi na munchati papacharanam

MeaningFirst there is pleasure in a woman's company; afterwards, alas, there is illness in the body. Though in the world death is the end of all, a person still does not give up sinful conduct.

Verse 29

अर्थमनर्थं भावय नित्यं ।
नास्ति ततः सुखलेशः सत्यम् ।
पुत्रादपि धनभाजां भीतिः ।
सर्वत्रैषा विहिता रीतिः ॥

Arthamanartham bhavaya nityam
Nasti tatah sukhaleshah satyam
Putradapi dhanabhajam bhitih
Sarvatraisha vihita ritih

MeaningThink always that wealth is no gain: there is not a trace of happiness in it, truly. A rich man fears even his own son. This is the rule everywhere.

Verse 30

प्राणायामं प्रत्याहारं ।
नित्यानित्यविवेकविचारम् ।
जाप्यसमेतसमाधिविधानं ।
कुर्ववधानं महदवधानम् ॥

Pranayamam pratyaharam
Nityanityavivekavicharam
Japyasametasamadhividhanam
Kurvavadhanam mahadavadhanam

MeaningBreath control, withdrawal of the senses, discernment of the lasting from the passing, repetition with absorption: practise these with great attention, great attention.

Verse 31

गुरुचरणाम्बुजनिर्भरभक्तः ।
संसारादचिराद्भव मुक्तः ।
सेन्द्रियमानसनियमादेवं ।
द्रक्ष्यसि निजहृदयस्थं देवम् ॥

Gurucharanambujanirbharabhaktah
Samsaradachiradbhava muktah
Sendriyamanasaniyamadevam
Drakshyasi nijahridayastham devam

MeaningDevoted at the lotus feet of the teacher, be freed from the world soon. With discipline of the senses and the mind, you will see the Lord who lives in your own heart.

Text: Shankaracharya-viracitani stotrani, part 2 (Srirangam, 1910), the Moha Mudgara, 31 verses, checked against the Shri-Shankaracharya-prakarana-grantha-samgraha (Srirangam, 1910) and the Minor Works of Sri Sankaracharya, edited by H. R. Bhagavat (Poona, 1952). Transliteration is simplified; meanings are our own.

Where the editions differ

Most of the poem is the same in all three editions. The differences that matter are these.

Verse 1, third line. The 1910 stotra volume reads sampraptte sannihite kale, “when the time has drawn near”, which is also how most singers say it. The second 1910 collection and the 1952 edition read prapte sannihite marane, “when death has drawn near”. This page follows the first.

Verse 5, fourth line. The stotra volume has vartam ko ‘pi na prcchati gehe, “no one at home asks for news”. The other two have vartam prcchati ko ‘pi na gehe, which has the same words in a different order.

Verse 8, fourth line. The second 1910 collection, the 1952 edition and common recitation give yad idam bhratah (“brother”), where the stotra volume appears to read bhrantah (“deluded one”; the page image is not clear at this letter). This page reads bhratah.

Verse 9, third and fourth lines. All three prints read nishcalita-tvam (“a steady, settled state”); many modern booklets read nishcala-tattvam (“the unmoving truth”). The prints are followed here.

Verses after 31. Most modern booklets give thirty-three verses and add, after verse 12, a verse saying that this teaching “in twelve small bunches” was given to a grammarian by the pupils of Shankara, and, at the end, two verses about the grammarian and a closing refrain. These are not in the printed editions we read, so they are not given here.

The shorter recension. The Brihat Stotra Ratnakara, a large old collection of hymns, prints a different, shorter version under the name Charpata Panjarika. It has seventeen stanzas, in a different order and with some different words, and every stanza ends with the refrain bhaja govindam bhaja govindam bhaja govindam mudhamate. It is a separate recension and not the text on this page.

How to read it

The poem is written in the voice of a renunciant teacher, and some of its images are harsh: a rich man who fears his own son, a family that loses interest when the earning stops, the body that is feared when the breath has left it. They belong to a genre, which sets out to loosen attachment by exaggeration, and they should not be taken as a complete account of family life. The verses on women (3 and 28) are spoken to a male renunciant audience and treat desire as a distraction from the aim of the poem. Modern readers often skip or soften them, and the poem does not need them to make its point.

The plain core is easy to say. Time is passing (verses 4, 6, 11, 12). Wealth and family are not wrong, but they do not last, and hoping that they will can crowd out everything else (verses 5, 13, 29). Honest company, daily practice and the question “Who am I?” are what the poem recommends (verses 9, 23, 26, 27, 30, 31). The first twelve verses, on the passing of life, and the last, on devotion to the teacher, are the ones usually sung in a group.

How and when it is recited

There is no fixed ritual. Bhaja Govindam is sung or read by devotees of Vishnu and of Krishna, in Advaita schools and in many families as an evening or morning prayer. It is often sung at devotional gatherings and at the start of classes on the Gita or Vedanta. Verse 27 names two other texts that go with it: the Gita (see the Bhagavad Gita pages) and the thousand names of Vishnu (the Vishnu Sahasranama). Verse 17 refers to a pilgrimage to Gangasagar, where the Ganga meets the sea, which is the pilgrimage of Makar Sankranti. Verse 21 addresses Murari, a name of Krishna; see the Krishnashtakam.

The poem makes no promise of any result, and no benefit verse is in the text we read.

Pronunciation notes

The lines are short and of similar length, so say them at an even pace. The refrain, bhaja govindam, is said bha-ja go-vin-dam, with a breathy bh and a soft final m. The root name dukṛñ in verse 1 is said du-krin, with ṛ like the ri of “river”. In niḥsaṅgatve the ḥ is a light breath, and ṅg is the ng of “finger”. The word tattva (verse 8) has a doubled t, which is held a moment longer.

How the text on this page is sourced

The Devanagari follows the proofread transcription on Sanskrit Wikisource of the Moha Mudgara in Shankaracharya-viracitani stotrani, part 2 (Srirangam, 1910), and we looked at all eight page images of that print. We compared it word by word with the transcription of the Moha Mudgara in the Shri-Shankaracharya-prakarana-grantha-samgraha (Srirangam, 1910) and with the printed text in H. R. Bhagavat’s Minor Works of Sri Sankaracharya (1952), the Poona edition. The typed Wikisource page titled Bhaja Govindam is a modern web text with thirty-three verses and several divergences and was not used. The old Brihat Stotra Ratnakara prints (1892 and later) have the shorter recension described above. Where the three prints differ, the readings are listed in the section above.

Frequently asked questions

↳ What is Bhaja Govindam?

It is a Sanskrit poem of thirty-one verses, also called the Moha Mudgara, that urges the reader to turn to Govinda, to good company and to self-knowledge before time runs out. It is traditionally attributed to Adi Shankara.

↳ Who wrote Bhaja Govindam?

Tradition attributes it to Adi Shankara. Some teachers hold that only the first twelve verses are his and that his pupils added the rest, so this page calls the attribution traditional and not certain.

↳ Why do some versions have thirty-three verses?

Modern booklets add a verse after verse 12 about the grammarian and two closing verses. They are not in the 1910 and 1952 printed editions we read, so this page gives thirty-one verses and says what has been left out.

↳ What does 'dukrin karane' mean in the first verse?

It is the opening of an entry in the traditional list of Sanskrit verbal roots, the root 'kr' (to do) with a marker. The verse says that learning such a rule will not save a person when death comes near.

↳ Are the verses on women meant as a general statement?

No. They are spoken from the point of view of a male renunciant and treat desire as a distraction from the poem's aim. Many readers set them aside, and the poem's central message does not depend on them.

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